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Thin guitar picks vs. thick guitar picks. This eternal battle has been a part of every guitarist's conversation for decades. It is time to finally evaluate both alternatives in depth.
The thickness of a guitar pick is generally measured in millimeters, and it is an attribute that influences many physical aspects like tone and flexibility. For most players, this is considered the most important attribute when choosing the right guitar pick.
However, after doing some online research, nobody seemed to really know how thick a guitar pick needs to be to be considered as a thick or heavy guitar pick. Where is the line?
Therefore, the first thing we did was to create a big online survey on our Instagram guitar community.
The survey we created was online for 24 hours on an Instagram story and the participants were asked to answer two simple questions.
This question was the first one, and its aim was to see if guitar players prefer thick or thin guitar picks. Here are the results:
It seems that over two thirds of the guitar players prefer guitar picks considered as thick. Honestly, I thought there would be a 50-50 relation and this surprised me a lot.
This was the second question, and the guitar players could select different thicknesses they considered to be the “least thickness needed for a guitar pick to be considered as thick or heavy”.
The results showed that on average, a pick must be at least about 1.0 mm to be considered as a thick guitar pick.
These results are very interesting, since the information we found during the research claimed that a pick is considered as “thick” or “heavy” if it surpasses 0.8 mm thickness. We did not find any study or survey with more participants than ours.
Of course, we have to consider that we do not have any way to track more specific characteristics of the participants like skill level, music preferences, guitar type, age, and so on.
Additional research on this topic showed that during the past decades, the average thickness of the guitar picks has increased substantially. Thin guitar picks are even considered as vintage by many players due to the tone they produce.
This is no surprise, given that most modern guitar techniques and effects that require thick picks (like shredding) were non-existent during the 1950s and 1960s.
The thickness of a guitar pick is one of the most influential attributes.
The guitar pick thickness influences:
A minimal change in the thickness of a guitar pick of only 0.2 millimeters (equal to two common paper sheets) is enough to change the properties of a guitar pick drastically.
Let's pretend there are no medium guitar picks and create a clear line that divides both thickness ranges, to make the differences between thick picks and thin picks more appreciable.
|
Thick / heavy guitar picks |
Thin guitar picks |
Flexibility |
Rigid/very rigid |
Flexible/very flexible |
Tone |
Warm/dark tones and mellow tones. |
Lighter tones, less bass. |
Volume |
Provide high volume. Broader dynamic range |
Maximum volume is limited. Lower dynamic range |
Guitar pick noise |
Reduced pick noise |
Noticeable pick noise |
Durability |
More durable |
Less durable |
Control |
High control of single notes |
Less control for single notes |
Popular techniques |
Lead guitar, shredding, sweep picking,... |
Rhythm guitar, strumming, tremolo picking |
Common type of players |
Intermediate and advanced guitarists |
Beginners, acoustic guitar players. |
Thick guitar picks will provide mellower/darker tones. The common rounded edges that can be manufactured with thicknesses over 1 mm – combined with their rigidity – increase the bass tones and the volume these guitar picks can provide, while reducing the pick noise the pick produces.
These picks provide more control over single notes and are usually the best option for lead guitarists.
Most advanced guitarists prefer thick picks, because in their guitar journey they develop new guitar techniques that can be performed better using this kind of picks. Thick plectrums provide more control when it comes to single notes and complex guitar pick techniques like pinch harmonics.
One of the biggest advantages of using heavy picks is the durability they provide. Nevertheless, the lifetime of a guitar pick is influenced by many other aspects, as we learnt in the article “Durability of a guitar pick”.
Thin picks are the best option for guitarists looking for brighter tones, especially using acoustic guitars and some strumming techniques on electric guitar.
The flexibility of these picks limits the maximum volume that can be achieved. This can be an advantage because it works like an analog limiter. This is especially helpful in a studio session, where the maximum volume achieved must be controlled.
Most beginner guitar players start using thin picks because their guitar skill set at the beginning includes guitar techniques like strumming.
Note control can be difficult with thin guitar picks. However, some players use this attribute for specific guitar techniques, like in surf music, where a super fast tremolo picking is required.
Rombo Jade is the perfect example of a thick guitar pick. Thanks to its thickness, a very large bevel edge could be implemented to be as sharp as possible, providing the precision needed when using these kinds of picks.
The size is small, a typical attribute of thick guitar picks, and its shape ends with a very pointy guitar pick tip for maximum attack.
Rombo Classic is the thinnest Rombo guitar pick. In the middle, it is only 0.38 mm.
This guitar pick is extremely flexible and has a medium/large size with a standard 5 mm diameter guitar pick tip.
In spite of its thickness, the dynamic range of the pick is great. This is caused by the material used in our picks.
I am sure you already have an idea of your favorite guitar pick thickness. In case you don’t, it is probably because you are at the beginning of your guitar journey.
Is there a wrong guitar pick thickness to play guitar? Any pick you use to get sound out of your guitar can work, if the sound produced is the sound you are looking for. It is entirely a matter of personal preference.
If you are a beginner guitar player, I recommend you start with something like 0.75 mm, as I described here: "Guitar Picks for Beginners"
However, if you are an intermediate player trying to find a way to discover new guitar tones, I do not have better advice than to tell you to try many different thicknesses and start integrating other important aspects of the guitar pick in your decision, like materials, size, shape, etc...
The good news is, you will probably end up having 3 to 5 favorite guitar picks which you can use for different techniques. So, enjoy the journey and be open to experimenting with different tones and textures with your guitar!
For this chapter I included the new guitar picks, which will be officially released during 2021.
As you can see on the thickness scale, there are still some slots missing (for example something like 0.6 mm), we will be filling them in the future, as we design new guitar picks.
However, we might repeat thicknesses if other aspects change a lot, for example the shape, the sharpness of the tip, the size of the pick, or other grip textures.
Another important factor to consider is that some picks do not have constant thickness along its design. But why?
As we did our research back in 2018, we found out that designing guitar picks with variable thickness comes with many advantages.
Let's take Rombo Origami as an example: The guitar pick tip is 0.75, but its hold area is thicker. This simple change makes the pick produce darker and mellower tones without losing much of its flexibility.
In the case of Rombo Diamond, the middle area (where all vertices collide) the thickness goes up to 2.65 mm. We increased this area after experiencing that the relation between the thicknesses along the guitar pick also increases the control over the pick for single notes.
In addition, with more thickness on a given material, you have more possibilities to introduce design elements, like the 3D geometries we use in our picks. These geometries have two positive effects: on one side, they enhance the grip of the pick because of the tilted surfaces, and on the other side, the guitar picks look very cool!
In short, variable thickness will make your picks more versatile and give you extra control.
Thick picks vs. thin picks will remain a hot, trendy topic in the guitar community.
However, if you are already an intermediate player with some knowledge about equally important aspects of a guitar pick like shape or material, spread the word to avoid confusion among the newcomers.
We have already discussed the huge variety of different guitar picks you can find online in our article “Guitar picks online” since this can be overwhelming for some beginners.
The best advice I can give you: love both thin and thick picks and try to understand why they are different. Both need to exist in a world where creativity and different tones and styles are needed!
Now it’s your turn, what is your favorite guitar pick thickness?
Plektrumgeräusche lassen sich nicht ganz vermeiden. Insbesondere bei der Aufnahme von Akustikgitarren neigen Plektren dazu, viele Klick- und Klackgeräusche und Geräusche zu erzeugen, die dein Spielerlebnis sowie das deiner Zuhörer ruinieren kann.
Beim Gitarre lernen, wirst du einen Punkt erreichen, an dem du dich auf die Übertragung von Emotionen, das wirkungsvolle Spielen und eine bessere dynamische Kontrolle konzentrieren möchtest.
Um Gitarrentechniken zu meistern, musst du jeden Ton, der von der Gitarre erzeugt wird, vollständig kontrollieren: beabsichtigte und unbeabsichtigte.
Ich persönlich denke, dass Plektrumgeräusche ein Teil des Gitarrenspiels sind, und ich genieße sogar einige Vintage-Aufnahmen, bei denen das Plektrumgeräusch fast absichtlich vorhanden zu sein scheint. In den meisten Fällen möchtest du es jedoch beseitigen.
Wir haben alle Tipps und Tricks zusammengefasst, von denen wir glauben, dass sie dir helfen können, die Geräusche beim Spielen mit einem Plektrum zu reduzieren.
Gitarrenpicks erzeugen beim Zupfen/Anschlagen der Saiten Geräusche. Wenn du dein Plektrum lockerer hältst, hilft das sehr, da deine Finger einen Teil der Energie absorbieren, wenn das Plektrum auf die Saiten trifft.
Wir haben einen Artikel mit dem Titel „Wie man ein Gitarrenplektrum hält“ veröffentlicht, der alles enthält, was du wissen musst, um diesen Trick zu meistern.
Beim Aufnehmen kann es hilfreich sein, dein Instrument im Verhältnis zu den anderen etwas lauter zu machen. Dies ist eine in Studios übliche Methode, die den Gitarristen hilft, sich zu entspannen.
Egal, ob du eine Studio-Session, einen Jam mit deinen Freunden oder einige Solo-Relax-Sessions zu Hause planen, ein bewusstes Aufwärmen vor dem Gitarre spielen ist Pflichtprogramm.
Der Winkel des Plektrums im Verhältnis zu den Saiten ist das am meisten diskutierte Element, wenn es um Plektrumgeräusche geht.
Grundsätzlich gilt: Je weniger Plektrum mit den Gitarrensaiten in Kontakt kommt, desto weniger Lärm erzeugt es. Deshalb winkle das Plektrum leicht zu den Saiten an.
Probiere verschiedene Winkel beim Anschlagen und Zupfen aus. Dies erfordert eine bewusste Anpassung deinerseits, aber sobald du es gemeistert hast, kannst du den Anschlag des Picks leichter variieren.
Abhängig vom verwendeten Plektrum, dem Musikstil und den Gitarrentechniken, die du verwendest, und deinem Können, benötigst du einen anderen Anschlagwinkel. Konzentriere dich also 30 Minuten darauf, den besten für dich zu finden, und gewöhne dich daran, diesen zu spielen.
Manchmal spielt man und der Flow setzt ein, man verlässt gedanklich den Raum und betritt „die Zone“, diesen schönen Ort, an dem man besser klingt als sonst.
Wir gehen so sehr in die Musik hinein, dass wir natürlich härter zuschlagen.
Übermäßige Anschlagkraft ist eine der häufigsten Ursachen für Plektrumgeräusche. Darüber hinaus kann es das Sustain abwürgen und dazu führen, dass die von dir gespielten Noten auf viel weniger natürliche Weise ausklingen.
Das Material der Gitarren-Plektren beeinflusst nicht nur den Ton, sondern auch das Geräusch, das das Plektrum erzeugt.
Nylon gilt als eine der am wenigsten lauten Formeln, wenn es um industrielle Materialien geht, die für Gitarrenpicks verwendet werden.
Dies liegt an der Zähigkeit dieser Mischung, die dank ihrer mechanischen Eigenschaften starke Stöße effizient absorbieren kann.
Bei Rombo verwenden wir eine modifizierte Version von Nylon, die für zusätzliche Haltbarkeit sorgt und die Lebensdauer der Plektren verlängert. Dies war notwendig, da Gitarrenpicks aus Nylon sehr schnell verschleißen. Hier erfährst du mehr über die Materialien.
Wenn du dir nicht sicher bist, ob du das richtige Plektrum verwenden, ist ein Variety-Paket eine gute Option, das Gitarrenpicks mit unterschiedlichen Attributen enthält. Dies ist eine gute Möglichkeit, mehrere Picks zu testen und deine Entwicklung zu verfolgen, während du beginnst, deine Fähigkeiten für jedes einzelne Plektrum zu verbessern.
Als Faustregel kann man sagen, dass schwerere Plektren weniger laut sind, was irgendwie widersprüchlich klingt. Aber warum ist das so?
Die Verwendung sehr dünner Plektren in Kombination mit schnellem Spiel, wie Strumming, führt dazu, dass sich die Plektren verbiegen, wenn sie die Gitarrensaiten verlassen, wodurch eine Art Klickgeräusch entsteht. Dies geschieht besonders beim Spielen von Akustikgitarren, da der Korpus der Gitarre als Verstärker für diesen Klang fungiert.
Schwerere Plektren lassen jede Saite ihren eigenen Ton ohne viele Begleitgeräusche erzeugen.
Die variable Dicke, die in allen unseren Gitarrenplektren enthalten ist, verbessert nicht nur die Kontrolle, sondern reduziert auch das Rauschen. Der Körper des Plektrums ist dicker und steifer, während die Spitze dünner und flexibler ist. Mit diesem Merkmal wird die Gesamtflexibilität der Spitze verringert, während ihre ursprüngliche Dicke und ihr ursprüngliches Material beibehalten werden. Das bedeutet mehr Kontrolle und weniger Lärm.
Dicke vs. dünne Plektren. In diesem Artikel besprechen wir alle Aspekte, die einen Unterschied machen.
Plektren mit einer abgeschrägten Kante gleiten besser und verursachen weniger Geräusche. In Kombination mit dem bereits erwähnten Anschlagwinkel können sie dir dabei helfen, das Plektrumgeräusch stark zu reduzieren.
Auch die Form und Größe des Plektrums sind wichtig, aber das ist eher eine Frage der Präferenz.
Wir haben häufig darüber gesprochen, welchen Einfluss eine polierte Spitze auf den Ton und die Haltbarkeit eines Gitarrenpickels hat.
Eine polierte Spitze gleitet auch ganz leicht über den Rand der Gitarrensaite. Auf der anderen Seite erzeugen Gitarrenplektren mit einer raueren Textur an der Spitze eine stärkere Höhenwiedergabe, selbst wenn sie am Rand gespielt werden. Dies passiert auch, wenn die Picks beginnen, sich abzunutzen.
Einige puristische Gitarristen bevorzugen jedoch, wie am Anfang des Artikels erwähnt, das Plektrum sogar, um Geräusche zu erzeugen, und haben es extra in ihre Aufnahmen eingebaut.
Sehr erfahrene Live-Spieler, die nicht viel Studioerfahrung haben, reflektieren manchmal nicht genug über all die kleinen Nuancen ihres Spiels.
Eine gute Übung, um dies zu vermeiden, ist sich selbst aufzunehmen. Es ist erstaunlich, wie viel wir verpassen, wenn wir in die Zone kommen. Du wirst beim Anhören deiner Tracks Plektrengeräusche bemerken und es ist viel einfacher, kritische Bereiche zu identifizieren, als während des Spielens.
Wenn du Akustikgitarre spielst, versuche, das/die Mikrofon(e) an verschiedenen Orten zu platzieren, du wirst feststellen, wie viel Unterschied es in Bezug auf das Plektrumgeräusch machen kann.
Wir können Plektrengeräusche nicht vollständig eliminieren, aber es gibt genug zu tun, um unser Spiel zu verbessern und es erheblich zu reduzieren.
Der beste Weg, Plektrumgeräusche zu reduzieren, besteht darin, sich dessen bewusst zu sein und über dein Spiel nachzudenken, um deine Fähigkeiten zu verbessern und verschiedene Plektren für verschiedene Stile und Gitarrentypen auszuprobieren.
Wenn du eine neue Möglichkeit entdeckst, den Plektrum-Lärm zu reduzieren, lass es uns bitte wissen, damit wir es in den Artikel aufnehmen können!
Guitar picks can really be made out of anything. In the past, some exotic materials were used to produce guitar picks.
The technological wave that came with highly specialized polymers created a new era of materials with amazing properties.
The material of a guitar pick is strictly connected to its flexibility and tone. It is hard to imagine that such a small piece can have a big impact on playability.
However, you will clearly notice some sound differences when testing a couple of different guitar picks.
Luckily, these small useful gems are the cheapest guitar accessory you can acquire, allowing you to test many guitar pick models.
When it comes to guitar picks, changing the properties of a material is not an easy task.
Flexible guitar pick materials can create mellow and warm tones when using specific guitar techniques. However, they can also achieve brighter tones when holding the pick very closely to the pointy tip or “attack area”. This is the reason they have been the go-to choice for guitarists for decades.
Stiff guitar pick materials can create a snappier, bright tone that can be very delightful, provide more volume and more clarity to your chords and solo notes. These picks are often used for more specific guitar techniques by lead guitarists.
Thickness, shape and size will play an important role too!
Flexible guitar pick materials can create mellow, warm tones. However, when using plectrum thicknesses over 1 mm, the tone will get darker and heavier. This can be used to create the feeling of having more “bass” in your instrument. The same effect happens with the size. The more material you have, the heavier the sound will be.
We have a guide to find your guitar pick HERE. You will learn how these 4 attributes (material, shape, size, and thickness) are connected.
Every guitarist has different preferences. Throughout our development, we have involved as many professional guitarists as possible, and asked them to define how their perfect material should feel.
We came to the following conclusions. The guitar pick material should:
With these premises, we started our long journey: the search for a suitable material.
After lots of tests, feedback rounds and sending dozens of pick prototypes around the globe to our guitar pick testers, we think we`ve found it!
We are using a thermoplastic polymer that belongs to the family of the polyamides. This material is used in aerospace and automobile industries and has the following properties:
The raw material we use is produced in Italy. We have worked very closely with our material partner to accomplish every requirement we had, including the 100% recycled material of the EcoBlack sets.
We believe we have achieved an excellent balance between, sound, comfort, aesthetic properties, and durability.
Combined with well-thought ergonomic designs, different textures, and very good quality control of the process, this material can accomplish all 5 premises we defined above.
We are also experimenting with recycled materials. In our “ECO-Black" range, we offer the same material formula, but use 100% recycled material from pre-consumer waste.
In this product range, the guitar picks are only available in Graphite Black. Currently, this is the only color we can produce when using this compound.
In addition, during compound manufacturing, there are 90% less emissions, 65% energy reduction, and a 61% reduction of total resources.
We will continue our hard work in this area and someday in the future, we will be able to create colored guitar picks out of this material. When this day comes, all of our guitar picks will be 100% recycled.
Read more about the Eco-Black range and the recycled guitar picks in our article "ROMBO Unveils New “Eco-Black Range Guitar Pick Models".
Finding a material you feel comfortable with is not an easy task, but you will have lots of fun along the way.
We believe material development is fundamental to ensure a future of plenty of functional, good-looking and environmentally friendly materials.
Share this article with friends to help us with our mission: vote for development, for the implementation of new ideas and for questioning deep-rooted standards to find something better.
Thank you!
Judith Heindorf & Carlos Diez Macia GbR
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