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Im Juni 2022 haben wir die ersten 3D-Skizzen unserer vier neuen Plektrum-Modelle fertiggestellt. Die Picks waren jedoch nicht zu 100 % fertig.
Die Dicke, Größe und sogar die Namen der Plektren waren noch nicht definiert.
Wir haben uns für den Ansatz entschieden, so viele Gitarristen wie möglich einzubeziehen, um uns beim Co-Design unserer neuen Gitarren-Plektren zu helfen.
Das Ziel dieses Artikels ist es, die Ergebnisse der Umfrage zusammenzufassen, an der 2122 Gitarristen teilgenommen haben. Diese Leute haben das endgültige Design unserer Picks direkt beeinflusst.
Die Gitarren-Community hat Rombo seit seinem Start im Jahr 2019 stark unterstützt.
Wir wollten keine neuen Gitarrenpicks kreieren, ohne die Leute zu fragen, die von Anfang an dabei waren. Sie alle sind der Kern von Rombo, und Sie sollten entscheiden, welche Produkte wir entwickeln.
Der logischste Schritt war, eine große Umfrage zu erstellen, die es der Community ermöglicht, uns mitzuteilen, wie sie ihre Gitarrenplektren gern hätten. Wir glauben, dass dies der einzige Weg ist, ein Produkt zu entwickeln, das auf den Wünschen unserer Community basiert und uns ermöglicht, grundlegende Entscheidungen über die Ausrichtung unseres Unternehmens zu treffen.
Dies ist nur möglich, wenn man auf die Gedanken jedes Gitarristen hört.
2122 Gitarristen haben an der Umfrage teilgenommen und sich somit am Designprozess dieser neuen Gitarren-Plektren für 2023 beteiligt.
509 von ihnen hinterließen eine private Nachricht mit detaillierten Informationen.
Weiter unten gehen wir auf diese Nachrichten ein.
Es gibt einen klaren Gewinner. Gitarrenplektrum Nummer 2 ist der Favorit für die meisten Teilnehmer.
Könnte es an seiner Ähnlichkeit in Form und Größe mit dem legendären Jazz-III-Gitarrenpick liegen?
Überraschenderweise ist Nummer 4 das Gitarrenplektrum, das mich während des Prototypentests am meisten überrascht hat. Aber natürlich weiß man nie, bis man es probiert hat!
Name:
Durchschnittliche Dicke: 0,66 mm
Größe: Kleine Größe mit 89 % der Stimmen
Name:
Durchschnittliche Dicke: 0,953 mm
Größe: Mittlere Größe mit 77 % der Stimmen
Name:
Durchschnittliche Dicke: >2 mm
Größe: Große Größe mit 55 % der Stimmen
Name:
Durchschnittliche Dicke: 0,72 mm
Größe: Mittlere Größe mit 85 % der Stimmen
Insgesamt 509 Personen haben uns eine private Nachricht bezüglich Gitarrenpleks hinterlassen.
Wir haben sie alle sorgfältig gelesen und werden alle diese Informationen während der Entwicklung berücksichtigen.
Hier sind die 10 häufigsten Fragen, die wir wiederholt erhalten haben, und unsere Kommentare dazu:
● Werden die Plektren in verschiedenen Farben erhältlich sein?
Ja! Die Markteinführung umfasst alle regulären Rombo-Farben.
Weitere „Special Edition“-Farben sind in Vorbereitung.
● Werden sie die gleiche Griffstruktur haben?
Viele Leute haben uns E-Mails und Briefe bezüglich der Griffstruktur geschickt. Mit den Mikronoppen haben wir den Vorteil von mittelgriffigen Oberflächen, die viel Kontrolle hinzufügen.
Eine sehr kleine Anzahl von Menschen möchte jedoch, dass die Picks mehr Grip haben. Wir mussten hier eine Entscheidung treffen, und es war schwer. Wir werden die „Korndichte“ auf den strukturierten Bereichen leicht erhöhen, sodass mehr „Micro nodules“ pro Quadratmillimeter entstehen.
Auf diese Weise hoffen wir, den Bedürfnissen aller Gruppen gerecht zu werden.
● Das Material ist kühl, erzeugt aber warme und sanfte Töne. ich bevorzuge
helle Töne. Plant ihr ein neues Materialsortiment?
Wir haben unser Materialkomposition absichtlich geschaffen, um diese sanften Töne zu erreichen. Etwa 12 % der Benutzer gaben jedoch an, helle Töne zu bevorzugen.
Wir haben beschlossen, mit der Forschung an einem neuen Material zu beginnen, das als zusätzliches Sortiment auf den Markt gebracht wird, sobald wir die richtige Formel gefunden haben. Das voraussichtliche Datum für die Markteinführung des neuen Materials ist Anfang 2024.
● Warum erstellt ihr nicht für jedes Plektrum unterschiedliche Dicken?
der Modelle?
Wir möchten, dass jedes Plektrum einzigartig ist. Da jeder Mensch individuelle Vorlieben hat, glauben wir, dass jedes Plektrum sein eigenes Design haben sollte. In Zukunft hoffen wir, eine breitere Palette von Plektrumdesigns erstellen zu können, um jedes mögliche Bedürfnis abzudecken.
● Was ist mit Plektren für Bassisten?
Die meisten unserer Plektren sind mit Bass kompatibel, wie wir bei einigen Bassisten bestätigt haben, die sie regelmäßig verwenden, insbesondere Rombo Diamond und Rombo Origami. Das haben wir HIER erklärt.
● Ihr solltet Merch, T-Shirts und andere Dinge anbieten:
Vielleicht in der Zukunft. Jetzt wollen wir uns zu 100% auf die Entwicklung der Gitarrenpicks konzentrieren. Jede Minute, die wir für das Design eines T-Shirts aufwenden, wird von der Qualität der Picks abgezogen! ;)
● Werdet ihr die EcoBlack-Reihe in anderen Farben anbieten?
Das EcoBlack-Material kann derzeit nur einfarbig produziert werden.
Durch den Recyclingprozess entsteht eine sehr dunkle Pigmentierung. Die Industrie arbeitet hart daran, einen Weg zu finden, neue Recyclingverfahren zu schaffen. Wir hoffen, dass wir in Zukunft alle unsere Plektren aus recyceltem Material herstellen werden.
● Warum erstellet ihr keine Boutique-Picks?
Gegenfrage: Was ist ein Boutique-Plektrum?
Ein Boutique-Plektrum ist ein einzigartiges Kunstwerk in Form eines Plektrums, das ihr zum Gitarrenspielen verwenden könnt. Normalerweise sind diese Plektren handgefertigt und aus exotischen Materialien. Sie enthalten einige künstlerische Elemente wie Ornamentgeometrien und sind in der Regel einzigartige Sondereditionsstücke mit erhöhten Startpreisen.
Unser Ansatz ist ein anderer. Wir kreieren Boutique-ähnliche Gitarren-Pick-Designs zu sehr erschwinglichen Preisen. Andernfalls wären nur ein paar Rombo-Designs für die einflussreichsten Pick-Sammler verfügbar.
Wir glauben, dass wir auf diese Weise eine Nische zwischen Massenproduktions-Picks und einzelnen Sondereditionen gefunden haben. Mit diesem Ansatz bringen wir das Boutique-Feeling zu einer größeren Anzahl von Menschen und stärken die Plektrum-Community und das Bewusstsein für dieses kleine, aber wichtige Accessoire.
● Einige Plektren, die ich 2019 bestellt habe, hatten Grate. Dies ist kein Problem für
spielen, aber es sieht nicht cool aus.
Wir haben gute Nachrichten für Sie. 2021 haben wir eine neue Methode entwickelt, um die Grate manuell von den Plektren zu entfernen. Das bedeutet, dass alle Rombo-Picks manuell überarbeitet und bearbeitet werden, um alle visuellen Aspekte zu entfernen, die nicht zum ursprünglichen Design gehören (wie kleine Grate an der Umrandung).
Dies hat uns zusätzliche Zeit gekostet, aber als Premium-Marke müssen wir unsere Qualitätsstandards ständig verbessern, um sicherzustellen, dass eure Plektren so gut sind, wie ihr es erwartet!
● Warum nochmal Kickstarter?
Siehe unten :)
Die neuen Gitarrenpicks kommen im Frühjahr 2023 auf den Markt.
Wenn ihr eine E-Mail erhalten möchtet, sobald die Picks verfügbar sind, abonniert unseren Newsletter (siehe Fußzeile).
Dies ist der Zeitplan, den wir für dieses Projekt erstellt haben:
Kickstarter-Kampagnen lassen Träume und Ideen Wirklichkeit werden. Rombo ist immer noch ein kleines Start-up, das von zwei Personen geführt wird und nur begrenzten Zugang zu Ressourcen hat. Über Kickstarter binden wir die Community der Gitarristen ein und zeigen unsere Gitarrenplektren vor dem Start.
Dieser Prozess bringt uns in Kontakt mit den echten Gitarristen. Es zwingt uns, flexibel zu bleiben, Änderungen zu akzeptieren, und es fordert uns heraus, neue Designs zu entwickeln, um die Erwartungen unseres Publikums zu erfüllen.
Wir lieben offene und kritische Kritik, und dies ist der beste Ort dafür, wo alle Kommentare und Gedanken sichtbar sind. Indem wir Ihre Erfahrungen teilen, können wir auf eure Bedürfnisse und Wünsche eingehen und Gitarrenplektren entwickeln, die einen Unterschied machen.
One of the most valuable skills when it comes to guitar playing is versatility.
Versatility allows you to adapt to different environments and enriches your playing, making a difference in the final result.
Music is about staying dynamic and monotony kills dynamic. Therefore, the most logical step for you as a guitarist is to expand your repertoire of guitar skills to keep that vital, engaging sound that makes music so joyful.
If you have decided to use a guitar pick for playing guitar, there are seven techniques that are a must.
They will take time to learn and master, but believe me, they make the difference.
If you have listened to the music of the last 70 years, you can probably recognize this guitar technique in most rock classic hits.
Tremolo is an Italian word which means “to shake” or “to tremble”.
In the context of guitar, it involves striking one (sometimes more than one) guitar string very fast with alternating strokes. Therefore, this technique is a form of alternate picking. Tremolo picking is very easy to learn but it requires strong discipline and practice to master.
Tremolo picking is essentially useful for any style of music and obviously a big part of the surf guitar sound (I’m a big fan of it!).
In guitar literature, sometimes the words tremolo and vibrato are reversed. This technique has nothing to do with a “tremolo bar” or a "tremolo effects box".
WHY IS TREMOLO PICKING IMPORTANT?
If one of your long-term goals in your guitar learning process is to increase speed, tremolo picking is a good place to start.
It is not only very fun but also can add new textures and some dynamics to your compositions. You would be surprised how well this technique fits even in metal or hardcore music.
A FAMOUS SONG WITH TREMOLO PICKING:
The surf rock version of the song “Misirlou”, from Dick Dale, is probably the greatest example of tremolo picking. The original one is a traditional song from the Eastern Mediterranean area dating back to 1927!
The version of Dick Dale got very popular after appearing in the soundtrack of Pulp Fiction in 1994.
BEST PICK FOR TREMOLO PICKING:
The most influential factors when choosing the best guitar pick for tremolo picking are thickness, material, and grip.
It’s important to have a snappy, responsive guitar pick. For this, medium picks with a medium/pointy tip are my recommendation.
However, there is no consensus in the guitar world for this. Many players have reported preferring thick, rigid picks.
In my case, I have found the best stability and speed using Rombo Origami. This pick can be described as: Flexible but still rigid enough for note control. Right amount of flexibility for a snappy fluid attack that's bright and crisp. The concave surface on the hold area ensures an ergonomic and comfortable hold.
Everyone’s hand is a little different in how they hold the pick and move. The best way to find out is to test different shapes and thicknesses, and then try them out
Good luck!
One very extended technique often performed in the rock, metal, and punk genres is pick slides or pick scrapes.
By holding the edge of the guitar pick against the guitar strings and moving it along the edge, the pick catches the strings’ windings, causing the strings to vibrate and produce a very pleasant textured noise.
Usually, guitar pick slides start near the bridge and end over the higher frets. However, there are countless variations of pick slides depending on the direction, the angle of the pick relative to the strings, and other variables.
Unfortunately, performing pick slides completely ruins the edges of the guitar pick, especially on thinner ones. This won’t directly affect the tone or control of the plectrum, but the damaged sides will develop some dents.
What makes a guitar pick durable? Find our here.
WHY ARE PICK SLIDES IMPORTANT?
Guitar pick slides are not the most relevant aspect of your playing. Nevertheless, a correctly performed slide in the right place will add so much to the moment.
The noisy textures produced by this technique are the perfect weapon of choice for songs using high distortion levels.
A FAMOUS SONG WITH PICK SLIDES:
The first use of the pick slide is attributed to Bo Diddley and can be heard in the opening of his song "Road Runner" from the 60s.
Today, some guitarists have taken this technique to a new level and have created signature variations. A shining example of pick slides from the last years is the metal band Gojira with their famous signature “Gojira-Scrape” that was created by accident and combines several guitar pick techniques
BEST PICK FOR PICK SLIDES:
If you are going to do pick slides frequently, then you need to consider two things:
Otherwise, your guitar picks will be inoperative after a couple of sessions. The dilemma is that most players get better noisy sounds with a medium guitar pick.
I have found a solution that works for me: medium-heavy picks that are large enough to scrape with higher areas of the pick that won’t touch the strings. From our picks, I prefer Rombo Horizon the most for pick slides. Also, the curvy edge creates different pressure on different strings and that’s nice.
Do you know any guitar player who does not like pinch harmonics? I do not either.
Pinch harmonics are created by the picking hand. Playing this technique produces high-pitched tones. This phenomenon occurs when you stop a part of the string vibrations in the right position and create a "node".
There is a simple way to test this; pick a note and apply a small pressure anywhere on the string such that the vibration doesn’t stop completely.
WHY ARE PINCH HARMONICS IMPORTANT?
Pinch harmonics are often related to high gain tones and metal music but they are a powerful tool to add dynamics and textures to any genre of music or type of guitar; electric or acoustic.
It is considered one of the most abstruse techniques for intermediate players. Common problems are pinch harmonics that aren't loud enough or additional noises that make the harmonics not sound clean enough.
Root causes of this problem can be:
the guitar player does not know the right places on the strings to play pinch harmonics
there is unwanted noise coming from unmuted strings
the pinch harmonic is produced isolated, without combining it with other techniques like vibrato.
Most guitar players (including me) played their first pinch harmonic accidentally.
A FAMOUS SONG WITH PINCH HARMONICS:
Guitarist Billy Gibbons from ZZ Top is considered the father of pinch harmonics. Not because he invented them, but because he brought them to the mainstream. Although he is a well-rounded guitarist with a focused skillset based on blues, he is best known for his pinch harmonics.
BEST PICK FOR PINCH HARMONICS:
There is no special pick to do pinch harmonics. The pinch harmonic is technically produced by the thumb of your picking hand.
However, this technique is widely used in lead guitar in combination with other advanced techniques that work especially well with thick, small guitar picks.
Therefore, although you can learn pinch harmonics using thin picks, I recommend using thick picks.
#If you want to learn more about the differences between thin and thick guitar picks read our article "Thick guitar picks vs thin guitar picks".
Palm mute is a very regular technique used by most guitarists. By placing the side of the picking hand on the strings close to the bridge and dampening the guitar strings (when necessary), the strings produce muted sounds.
You can control the dampening effect by moving your hand to a different position further from the bridge.
Although this technique isn't seen as a very difficult one, these are common mistakes that prevent players from learning it properly:
WHY IS PALM MUTE IMPORTANT?
As a guitarist or bassist, you are always on the lookout to make your music sound natural, creative, and exciting.
Palm-muting is a great skill for dynamic control exercises. This means you will automatically learn how to shape your sound using fluctuations in volume and intensity.
With this skill in your repertoire, your music will sound more vocal and dynamic.
A FAMOUS SONG WITH PALM MUTE:
This technique is very old. As old as the invention of the electric guitar (1936). Most classical players have been using it for centuries with all kinds of instruments.
Today, palm muting is widely used in heavy metal, thrash, speed, and death metal. It is often found in music that features distortion effects.
Is there any good song to practice palm muting for getting better at it? “Master of Puppets” from Metallica—it’s a masterclass in palm muting and down picking.
BEST PICK FOR PALM MUTE:
I recommend using a thick guitar pick for this. They provide high volume, a broader dynamic range, and more control over single notes (in case you use palm mute arpeggios). In addition, palm muting is a demanding technique that causes a lot of guitar pick wear. As you might know, thick guitar picks are more durable.
My favorite choice for this technique is Rombo Diamond.
Guitar pick strumming is a way of playing guitar. A strum is a sweeping action where a pick (or finger!) brushes over the guitar strings and generates sounds.
For most guitar players, this is the first technique they learned and the technique that caused most headaches as a beginner.
Learning how to strum correctly takes time and practice. Most beginners lack the necessary muscle memory it takes to play while remaining relaxed or having a good posture.
WHY IS PICK STRUMMING IMPORTANT?
In many ways, understanding this skill is essential for understanding guitar. Great strumming skills mean being a great rhythm guitarist. Therefore, this should be your number one goal as a beginner.
Learning chords is important, but they are just static shapes. The diversity of the hundreds (if not thousands) of strumming patterns available will inject musicality and rhythm into your playing.
A FAMOUS SONG WITH PICK STRUMMING:
“Bad moon rising” by Creedence Clearwater Revival, is a good place to start. It combines easy chords (D, A, G) with a very simple progression and a very catchy, bluesy melody.
BEST PICK FOR STRUMMING:
My best advice for beginners is to start with a very thin guitar pick. It can help to practice with something below 0.6 that’s nice and bendy. As you improve your skills, you can try with thicker picks, as they will add more bass to your tone.
For all the beginners out there, my best choice would be Rombo Classic.
However, if you are in the very beginning of your guitar journey, please read this article where I explain, why starting with medium guitar picks can be a better choice for you. "Medium Gauge Guitar Picks".
Downpicking or down-stroke picking is a very beloved guitar technique in which the player moves the guitar pick only in a downward motion. The tip of the pick does not brush the strings as the hand moves back to the original position for the next down-stroke.
It is one of the most underrated skills on guitar and although performing this technique might seem easy, the required endurance for long passages with fast tempo is very often a problem even for advanced guitarists.
WHY IS DOWNPICKING IMPORTANT?
But first, why would you want to remove the upstrokes (alternate picking) and then increase the necessary effort for the same number of strokes? Why would you torture your wrist muscles in this way?
This technique is widely used in metal and punk guitar and the main reason is that when mastered, downpicking can make the guitar’s sound very powerful and rhythmic.
A FAMOUS SONG WITH DOWNPICKING:
Famous punk guitarist Johnny Ramone used this technique in the mid-70s in combination with fast tempo (180 to 200 bpm). The technique was very innovative at that time and influenced many current guitarists like James Hetfield who has been regarded as “the King of Downpicking”.
Many beginner guitarists start with songs from Ramones because of their simplicity in terms of chords and lack of tempo variations.
BEST PICK FOR DOWNPICKING:
For downpicking, there is a basic rule: the more mass the guitar pick has, the thicker and more aggressive the sound.
Therefore, a thick, large guitar pick with a pointy tip will be the loudest and most rhythmic one.
I recommend Rombo Diamond.
The interesting thing about hybrid picking is the fact that the player uses a plectrum as well as one or more fingers. This can be done alternately or simultaneously.
Typical styles for this technique are rockabilly guitar, country and bluegrass, and more classical passages with acoustic or classical guitar.
Hybrid picking can be very hard if you are a beginner. Before you think of learning this technique, you will have to learn how to play with your fingers and with a guitar pick. This is a requirement you cannot avoid.
WHY IS HYBRID PICKING IMPORTANT:
Three major arguments should convince you to learn hybrid picking:
Tone diversity:
The pick is generally used to play bass notes with a longer duration and very noticeable timbral differences caused by variations in the vibration of the strings. Therefore, your playing will sound more interesting combining pick and fingers.
Timing:
Hybrid picking allows you to pick two to four strings simultaneously. This makes it very different from strumming and gives an approach much more similar to piano techniques.
Flexibility:
Managing this technique, you will be able to change between fingerstyle playing and guitar pick playing within the same song or passage.
A FAMOUS SONG WITH HYBRID PICKING:
Hybrid picking was popularized by guitarists like Steve Howe some decades ago. Most players that learn this technique today start with a more classical approach.
A great song to start with this technique is “Amy” by Tommy Emmanuel. However, the complexity of the chords makes this song only possible to play for intermediate and advanced players.
BEST PICK FOR HYBRID PICKING:
There is no such thing as a “good” or “bad” pick for hybrid picking. You can use the pick you think fits the best for the song you are playing.
Because this technique is widely used by rhythm guitarists, there is a consensus that picks around 1 mm will perform well. However, it is up to you to try and decide which one is best for every passage.
Discover more about guitar pick thickness here.
For some reason, sweep picking is the trend. Every guitar forum gets new threads with this topic week after week. Perhaps it’s due to the high speed and visually nice arpeggios that make the guitar produce cyclical sound patterns and put us in a status of trance.
This technique describes the action of playing single notes on consecutive strings using the same motion, either all down-strokes or all upstrokes.
Sweep picking has been recognized as a difficult technique. It is more for advanced players and it can take years to master it.
WHY IS SWEEP PICKING IMPORTANT?
Sweep picking is used by guitarists to play arpeggios at high speed. The phrasing sounds produced by this technique sounds typical of other instruments like the piano.
Although sweep picking is a very important technique for building speed and fluency on string instruments, my advice would be to not learn this technique unless you have mastered other techniques that can give you more versatility.
Sure, it is ok to use sweep picking occasionally but that is not what you are going to play most of the time. In my opinion, a lot of bands overuse this technique. Therefore, you should reflect if the time needed to correctly learn sweep picking could be used for other more relevant skills.
A FAMOUS SONG WITH SWEEP PICKING:
Although often regarded as a “modern guitar technique”, pick sweeping has been around since the 50s. The technique was first used and developed by jazz guitarists.
Today, it is commonly used in metal but many students start with the song “Give Me the Night” by George Benson. Practicing sweep picking with clean tones can help you develop a more accurate technique.
BEST PICK FOR SWEEP PICKING:
What qualities are you looking for in a pick to perform sweep picking? Small and easy to handle, good maneuverability and stability, and good string separation. This means: Thick, pointy guitar picks like Jade or Horizon.
However, I have a bonus for you: We have received some E-Mails from professional guitarists using Rombo Prisma for their sweeping techniques, a pick that wasn’t developed for this. However, its sharp tip, combined with a very large, beveled edge, and the total “mass” of the pick (variable thickness), makes this pick a great candidate for bright tonal sweep picking solos.
Thin guitar picks vs. thick guitar picks. This eternal battle has been a part of every guitarist's conversation for decades. It is time to finally evaluate both alternatives in depth.
The thickness of a guitar pick is generally measured in millimeters, and it is an attribute that influences many physical aspects like tone and flexibility. For most players, this is considered the most important attribute when choosing the right guitar pick.
However, after doing some online research, nobody seemed to really know how thick a guitar pick needs to be to be considered as a thick or heavy guitar pick. Where is the line?
Therefore, the first thing we did was to create a big online survey on our Instagram guitar community.
The survey we created was online for 24 hours on an Instagram story and the participants were asked to answer two simple questions.
This question was the first one, and its aim was to see if guitar players prefer thick or thin guitar picks. Here are the results:
It seems that over two thirds of the guitar players prefer guitar picks considered as thick. Honestly, I thought there would be a 50-50 relation and this surprised me a lot.
This was the second question, and the guitar players could select different thicknesses they considered to be the “least thickness needed for a guitar pick to be considered as thick or heavy”.
The results showed that on average, a pick must be at least about 1.0 mm to be considered as a thick guitar pick.
These results are very interesting, since the information we found during the research claimed that a pick is considered as “thick” or “heavy” if it surpasses 0.8 mm thickness. We did not find any study or survey with more participants than ours.
Of course, we have to consider that we do not have any way to track more specific characteristics of the participants like skill level, music preferences, guitar type, age, and so on.
Additional research on this topic showed that during the past decades, the average thickness of the guitar picks has increased substantially. Thin guitar picks are even considered as vintage by many players due to the tone they produce.
This is no surprise, given that most modern guitar techniques and effects that require thick picks (like shredding) were non-existent during the 1950s and 1960s.
The thickness of a guitar pick is one of the most influential attributes.
The guitar pick thickness influences:
A minimal change in the thickness of a guitar pick of only 0.2 millimeters (equal to two common paper sheets) is enough to change the properties of a guitar pick drastically.
Let's pretend there are no medium guitar picks and create a clear line that divides both thickness ranges, to make the differences between thick picks and thin picks more appreciable.
|
Thick / heavy guitar picks |
Thin guitar picks |
Flexibility |
Rigid/very rigid |
Flexible/very flexible |
Tone |
Warm/dark tones and mellow tones. |
Lighter tones, less bass. |
Volume |
Provide high volume. Broader dynamic range |
Maximum volume is limited. Lower dynamic range |
Guitar pick noise |
Reduced pick noise |
Noticeable pick noise |
Durability |
More durable |
Less durable |
Control |
High control of single notes |
Less control for single notes |
Popular techniques |
Lead guitar, shredding, sweep picking,... |
Rhythm guitar, strumming, tremolo picking |
Common type of players |
Intermediate and advanced guitarists |
Beginners, acoustic guitar players. |
Thick guitar picks will provide mellower/darker tones. The common rounded edges that can be manufactured with thicknesses over 1 mm – combined with their rigidity – increase the bass tones and the volume these guitar picks can provide, while reducing the pick noise the pick produces.
These picks provide more control over single notes and are usually the best option for lead guitarists.
Most advanced guitarists prefer thick picks, because in their guitar journey they develop new guitar techniques that can be performed better using this kind of picks. Thick plectrums provide more control when it comes to single notes and complex guitar pick techniques like pinch harmonics.
One of the biggest advantages of using heavy picks is the durability they provide. Nevertheless, the lifetime of a guitar pick is influenced by many other aspects, as we learnt in the article “Durability of a guitar pick”.
Thin picks are the best option for guitarists looking for brighter tones, especially using acoustic guitars and some strumming techniques on electric guitar.
The flexibility of these picks limits the maximum volume that can be achieved. This can be an advantage because it works like an analog limiter. This is especially helpful in a studio session, where the maximum volume achieved must be controlled.
Most beginner guitar players start using thin picks because their guitar skill set at the beginning includes guitar techniques like strumming.
Note control can be difficult with thin guitar picks. However, some players use this attribute for specific guitar techniques, like in surf music, where a super fast tremolo picking is required.
Rombo Jade is the perfect example of a thick guitar pick. Thanks to its thickness, a very large bevel edge could be implemented to be as sharp as possible, providing the precision needed when using these kinds of picks.
The size is small, a typical attribute of thick guitar picks, and its shape ends with a very pointy guitar pick tip for maximum attack.
Rombo Classic is the thinnest Rombo guitar pick. In the middle, it is only 0.38 mm.
This guitar pick is extremely flexible and has a medium/large size with a standard 5 mm diameter guitar pick tip.
In spite of its thickness, the dynamic range of the pick is great. This is caused by the material used in our picks.
I am sure you already have an idea of your favorite guitar pick thickness. In case you don’t, it is probably because you are at the beginning of your guitar journey.
Is there a wrong guitar pick thickness to play guitar? Any pick you use to get sound out of your guitar can work, if the sound produced is the sound you are looking for. It is entirely a matter of personal preference.
If you are a beginner guitar player, I recommend you start with something like 0.75 mm, as I described here: "Guitar Picks for Beginners"
However, if you are an intermediate player trying to find a way to discover new guitar tones, I do not have better advice than to tell you to try many different thicknesses and start integrating other important aspects of the guitar pick in your decision, like materials, size, shape, etc...
The good news is, you will probably end up having 3 to 5 favorite guitar picks which you can use for different techniques. So, enjoy the journey and be open to experimenting with different tones and textures with your guitar!
For this chapter I included the new guitar picks, which will be officially released during 2021.
As you can see on the thickness scale, there are still some slots missing (for example something like 0.6 mm), we will be filling them in the future, as we design new guitar picks.
However, we might repeat thicknesses if other aspects change a lot, for example the shape, the sharpness of the tip, the size of the pick, or other grip textures.
Another important factor to consider is that some picks do not have constant thickness along its design. But why?
As we did our research back in 2018, we found out that designing guitar picks with variable thickness comes with many advantages.
Let's take Rombo Origami as an example: The guitar pick tip is 0.75, but its hold area is thicker. This simple change makes the pick produce darker and mellower tones without losing much of its flexibility.
In the case of Rombo Diamond, the middle area (where all vertices collide) the thickness goes up to 2.65 mm. We increased this area after experiencing that the relation between the thicknesses along the guitar pick also increases the control over the pick for single notes.
In addition, with more thickness on a given material, you have more possibilities to introduce design elements, like the 3D geometries we use in our picks. These geometries have two positive effects: on one side, they enhance the grip of the pick because of the tilted surfaces, and on the other side, the guitar picks look very cool!
In short, variable thickness will make your picks more versatile and give you extra control.
Thick picks vs. thin picks will remain a hot, trendy topic in the guitar community.
However, if you are already an intermediate player with some knowledge about equally important aspects of a guitar pick like shape or material, spread the word to avoid confusion among the newcomers.
We have already discussed the huge variety of different guitar picks you can find online in our article “Guitar picks online” since this can be overwhelming for some beginners.
The best advice I can give you: love both thin and thick picks and try to understand why they are different. Both need to exist in a world where creativity and different tones and styles are needed!
Now it’s your turn, what is your favorite guitar pick thickness?
Plektrumgeräusche lassen sich nicht ganz vermeiden. Insbesondere bei der Aufnahme von Akustikgitarren neigen Plektren dazu, viele Klick- und Klackgeräusche und Geräusche zu erzeugen, die dein Spielerlebnis sowie das deiner Zuhörer ruinieren kann.
Beim Gitarre lernen, wirst du einen Punkt erreichen, an dem du dich auf die Übertragung von Emotionen, das wirkungsvolle Spielen und eine bessere dynamische Kontrolle konzentrieren möchtest.
Um Gitarrentechniken zu meistern, musst du jeden Ton, der von der Gitarre erzeugt wird, vollständig kontrollieren: beabsichtigte und unbeabsichtigte.
Ich persönlich denke, dass Plektrumgeräusche ein Teil des Gitarrenspiels sind, und ich genieße sogar einige Vintage-Aufnahmen, bei denen das Plektrumgeräusch fast absichtlich vorhanden zu sein scheint. In den meisten Fällen möchtest du es jedoch beseitigen.
Wir haben alle Tipps und Tricks zusammengefasst, von denen wir glauben, dass sie dir helfen können, die Geräusche beim Spielen mit einem Plektrum zu reduzieren.
Gitarrenpicks erzeugen beim Zupfen/Anschlagen der Saiten Geräusche. Wenn du dein Plektrum lockerer hältst, hilft das sehr, da deine Finger einen Teil der Energie absorbieren, wenn das Plektrum auf die Saiten trifft.
Wir haben einen Artikel mit dem Titel „Wie man ein Gitarrenplektrum hält“ veröffentlicht, der alles enthält, was du wissen musst, um diesen Trick zu meistern.
Beim Aufnehmen kann es hilfreich sein, dein Instrument im Verhältnis zu den anderen etwas lauter zu machen. Dies ist eine in Studios übliche Methode, die den Gitarristen hilft, sich zu entspannen.
Egal, ob du eine Studio-Session, einen Jam mit deinen Freunden oder einige Solo-Relax-Sessions zu Hause planen, ein bewusstes Aufwärmen vor dem Gitarre spielen ist Pflichtprogramm.
Der Winkel des Plektrums im Verhältnis zu den Saiten ist das am meisten diskutierte Element, wenn es um Plektrumgeräusche geht.
Grundsätzlich gilt: Je weniger Plektrum mit den Gitarrensaiten in Kontakt kommt, desto weniger Lärm erzeugt es. Deshalb winkle das Plektrum leicht zu den Saiten an.
Probiere verschiedene Winkel beim Anschlagen und Zupfen aus. Dies erfordert eine bewusste Anpassung deinerseits, aber sobald du es gemeistert hast, kannst du den Anschlag des Picks leichter variieren.
Abhängig vom verwendeten Plektrum, dem Musikstil und den Gitarrentechniken, die du verwendest, und deinem Können, benötigst du einen anderen Anschlagwinkel. Konzentriere dich also 30 Minuten darauf, den besten für dich zu finden, und gewöhne dich daran, diesen zu spielen.
Manchmal spielt man und der Flow setzt ein, man verlässt gedanklich den Raum und betritt „die Zone“, diesen schönen Ort, an dem man besser klingt als sonst.
Wir gehen so sehr in die Musik hinein, dass wir natürlich härter zuschlagen.
Übermäßige Anschlagkraft ist eine der häufigsten Ursachen für Plektrumgeräusche. Darüber hinaus kann es das Sustain abwürgen und dazu führen, dass die von dir gespielten Noten auf viel weniger natürliche Weise ausklingen.
Das Material der Gitarren-Plektren beeinflusst nicht nur den Ton, sondern auch das Geräusch, das das Plektrum erzeugt.
Nylon gilt als eine der am wenigsten lauten Formeln, wenn es um industrielle Materialien geht, die für Gitarrenpicks verwendet werden.
Dies liegt an der Zähigkeit dieser Mischung, die dank ihrer mechanischen Eigenschaften starke Stöße effizient absorbieren kann.
Bei Rombo verwenden wir eine modifizierte Version von Nylon, die für zusätzliche Haltbarkeit sorgt und die Lebensdauer der Plektren verlängert. Dies war notwendig, da Gitarrenpicks aus Nylon sehr schnell verschleißen. Hier erfährst du mehr über die Materialien.
Wenn du dir nicht sicher bist, ob du das richtige Plektrum verwenden, ist ein Variety-Paket eine gute Option, das Gitarrenpicks mit unterschiedlichen Attributen enthält. Dies ist eine gute Möglichkeit, mehrere Picks zu testen und deine Entwicklung zu verfolgen, während du beginnst, deine Fähigkeiten für jedes einzelne Plektrum zu verbessern.
Als Faustregel kann man sagen, dass schwerere Plektren weniger laut sind, was irgendwie widersprüchlich klingt. Aber warum ist das so?
Die Verwendung sehr dünner Plektren in Kombination mit schnellem Spiel, wie Strumming, führt dazu, dass sich die Plektren verbiegen, wenn sie die Gitarrensaiten verlassen, wodurch eine Art Klickgeräusch entsteht. Dies geschieht besonders beim Spielen von Akustikgitarren, da der Korpus der Gitarre als Verstärker für diesen Klang fungiert.
Schwerere Plektren lassen jede Saite ihren eigenen Ton ohne viele Begleitgeräusche erzeugen.
Die variable Dicke, die in allen unseren Gitarrenplektren enthalten ist, verbessert nicht nur die Kontrolle, sondern reduziert auch das Rauschen. Der Körper des Plektrums ist dicker und steifer, während die Spitze dünner und flexibler ist. Mit diesem Merkmal wird die Gesamtflexibilität der Spitze verringert, während ihre ursprüngliche Dicke und ihr ursprüngliches Material beibehalten werden. Das bedeutet mehr Kontrolle und weniger Lärm.
Dicke vs. dünne Plektren. In diesem Artikel besprechen wir alle Aspekte, die einen Unterschied machen.
Plektren mit einer abgeschrägten Kante gleiten besser und verursachen weniger Geräusche. In Kombination mit dem bereits erwähnten Anschlagwinkel können sie dir dabei helfen, das Plektrumgeräusch stark zu reduzieren.
Auch die Form und Größe des Plektrums sind wichtig, aber das ist eher eine Frage der Präferenz.
Wir haben häufig darüber gesprochen, welchen Einfluss eine polierte Spitze auf den Ton und die Haltbarkeit eines Gitarrenpickels hat.
Eine polierte Spitze gleitet auch ganz leicht über den Rand der Gitarrensaite. Auf der anderen Seite erzeugen Gitarrenplektren mit einer raueren Textur an der Spitze eine stärkere Höhenwiedergabe, selbst wenn sie am Rand gespielt werden. Dies passiert auch, wenn die Picks beginnen, sich abzunutzen.
Einige puristische Gitarristen bevorzugen jedoch, wie am Anfang des Artikels erwähnt, das Plektrum sogar, um Geräusche zu erzeugen, und haben es extra in ihre Aufnahmen eingebaut.
Sehr erfahrene Live-Spieler, die nicht viel Studioerfahrung haben, reflektieren manchmal nicht genug über all die kleinen Nuancen ihres Spiels.
Eine gute Übung, um dies zu vermeiden, ist sich selbst aufzunehmen. Es ist erstaunlich, wie viel wir verpassen, wenn wir in die Zone kommen. Du wirst beim Anhören deiner Tracks Plektrengeräusche bemerken und es ist viel einfacher, kritische Bereiche zu identifizieren, als während des Spielens.
Wenn du Akustikgitarre spielst, versuche, das/die Mikrofon(e) an verschiedenen Orten zu platzieren, du wirst feststellen, wie viel Unterschied es in Bezug auf das Plektrumgeräusch machen kann.
Wir können Plektrengeräusche nicht vollständig eliminieren, aber es gibt genug zu tun, um unser Spiel zu verbessern und es erheblich zu reduzieren.
Der beste Weg, Plektrumgeräusche zu reduzieren, besteht darin, sich dessen bewusst zu sein und über dein Spiel nachzudenken, um deine Fähigkeiten zu verbessern und verschiedene Plektren für verschiedene Stile und Gitarrentypen auszuprobieren.
Wenn du eine neue Möglichkeit entdeckst, den Plektrum-Lärm zu reduzieren, lass es uns bitte wissen, damit wir es in den Artikel aufnehmen können!
Judith Heindorf & Carlos Diez Macia GbR
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