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Tone, timbre, ring, and sound, are some of the terms that are usually used to refer to the sound waves produced by your guitar and amp.
Music doesn’t understand restrictions. So, one way for you as a guitarist of expanding your repertoire of guitar sounds is by asking yourself simple questions:
We will cover these aspects and discuss some specific examples of guitar picks and guitar techniques and tones.
As a guitarist, you should not only reflect on your practice and skill improvements but also look for ways of increasing the amount of totally different sounds your guitar (in your hands!) is able to produce.
Imagine the wide palette of different sounds and effects that you would need to learn 30 songs from different genres.
The advantages of mastering ways to change the sound of your guitar playing are countless:
In other words, you will be a better guitar player.
Think about the “chain” of connected elements that is present when you play guitar. I like to reverse it and start from the sound source:
It starts with your guitar amp and amp settings and continues through the cable (from a specific brand and specs) and your particular effect pedals. After another couple of cables, your guitar pick-ups, circuitry, wood type, and guitar strings will play a role in the tone too. What comes after that? The guitar pick and your picking hand. Note, that also your fretting hand will have an influence on sound (string pressure).
If you replace just one element, the sound will change.
The good thing here is that this is 100% measurable by recording the guitar. So everyone at home with a mid-class microphone can start noticing the differences. Of course, then, the microphone and audio interface will play a role on tone too!
Now you know what to “adjust” to allow you to make the same guitar passages sound differently.
Go again through the complete sound chain. From all the mentioned elements, guitar picks have three main advantages when your goal is changing the tone:
Sure, using another guitar or replacing one of your pedals will have a much higher impact on tone! Nevertheless, something as simple as using another guitar pick can create appreciable differences that you will hear and enjoy.
Guitar picks can be reduced to 4 main qualities: Material, Thickness, Shape, and Size.
These qualities define the “personality” of the guitar picks to at least 80% and they affect how guitar strings vibrate. In consequence, the different guitar string vibration patterns are different.
Some materials like Nylon produce warmer, mellower tones. Others like Tortex, create brighter sounds.
The material can also influence grip and flexibility.
Pointy guitar picks have more attack and produce brighter tones. Rounded guitar picks are especially useful for soft release and warmer tones. In techniques like strumming, rounded picks will produce less pick noise.
Thin picks and some medium picks are very flexible. This quality can produce a very characteristic “snappy attack” that is not possible with very thick picks.
Of course, everything is interconnected: Flexibility also depends on the material and shape! Thickness affects grip and guitar pick noise too.
The larger the pick, the more “mass” it has. Picks with high mass will produce warmer, darker, and fuller tones. Small picks tend to be much less flexible and have a more aggressive attack.
As you can see, you have to consider all factors together. A Tortex pick is able to produce warm tones, it needs to have the right shape, thickness, and size. On the other hand, the same happens to Nylon picks: A very pointy medium-sized Nylon pick can produce brighter sounds than the average less pointy Tortex guitar pick.
Let’s compile three ideal examples:
An ideal guitar pick for thick, full, and dark overdrive or distortion sound could be made of Nylon. It should have a sharp tip for note control and at least 1.5 mm thickness. The larger the pick, the thicker and fuller the tone.
One specific example of this could be Jazz iii XL or Rombo Diamond. The last one uses variable thickness along its body to increase its total mass and create even fuller tones with high bass in the background.
Strumming is especially easy to perform when the tip of the guitar pick is rounded. To achieve even warmer tones the ideal strumming pick should have enough mass. The material Nylon, in combination with a medium thickness and the already mentioned rounded tip, will help reduce the pick noise.
Depending on your preferences you can use medium thickness or heavy thickness. The last one is more difficult to master but will reduce the pick noise substantially.
Good examples of this are Rombo Origami (medium gauge) or Rombo Waves (heavy gauge)
Clear and defined guitar tones are produced by pointy pick tips. Ideally, the surface of the tip is polished and has a beveled edge.
Most guitarists prefer small picks for these kinds of tones. Sweep picking, alternate picking, pinch harmonics, and other advanced lead guitar techniques are much easier to perform with such picks.
Depending on your preferences you can then choose different materials: Tortex will increase the attack and create very bright peaks, while Nylon will produce a fuller sound with more bass. Other materials (celluloid, carbon, wood,...) will behave differently.
Rombo Jade is the perfect candidate for speed, control, and attack.
Do picks change your guitar tone? Definitely yes!
Not only the tone is affected but other aspects like flexibility, grip, pick noise, attack, or control will be affected by the guitar pick too.
Sound changes will remain as a way of adding some color and dynamic to your music and guitar picks can help you here. With a very low budget and little time, you can experiment and add some fresh input to your daily guitar practice.
The most convenient way of trying many different guitar picks in just one session is by trying a variety pack containing many different guitar picks. Here you can find ours!
In our article “How to choose the right guitar pick,” we did a deep analysis on the qualities you should consider when deciding which plectrum to use.
In this article, we will discuss the most important characteristics needed in a guitar pick in order to make the playing experience as comfortable as possible and obtain the best results. These characteristics are not as obvious as others but are essential to getting the most out of this accessory.
The Cambridge Dictionary says premium is “used to refer to something that is of higher than usual quality."
Therefore, a premium guitar pick will exceed in qualities like material, shape or texture and will provide a playing experience that’s above average in terms of precision, durability, comfort, tone, or other areas.
Put simply, a premium guitar pick will perform better than regular picks.
Reducing the definition of a guitar pick to its basic intrinsic features, it is easy to understand how to improve certain areas.
For example, it is logical to conclude that better materials will have an impact on the guitar pick’s tone and durability.
Also, with the help of basic ergonomic and design laws, you can create a shape that enhances grip or slides better. The key is to know what you are looking for.
Back in 2018, with the help of a number of professional guitar players, we defined the requirements the Rombo picks had to achieve:
With these premises, we started a journey to identify the qualities that would provide an above-average experience in every area.
Grippy, non-sticky surfaces are perfect for the guitar pick’s hold area. The best way to achieve this is to create a texture that fits between the grooves of your skin and prevents the guitar pick from slipping or creating an aggressive grip geometry that is uncomfortable for long practice sessions.
When developing the grip texture, our focus was to create a type of grip that allows the player to maintain flexibility and freedom along with a feeling of security and control.
More information on guitar pick grip can be found here.
A guitar pick with a polished tip allows the player to experience more control and less friction. Reduced friction between the plectrum and the strings of the guitar will increase the durability of the pick because it will wear less and reduce its noise.
Noise reduction is a feature especially useful for recording studio tracks.
Furthermore, a polished tip produces more clear individual tones, a requirement for some guitar techniques such as sweep picking.
One of the less common characteristics in guitar picks is variable thickness. It is ideal for the pick to be thick for better control; however, this could significantly reduce its flexibility.
For that reason, plectrums of variable thickness have been created, giving us the best of both worlds.
That is to say, we could have a guitar pick with a solid, thick body that gives us better grip and control. Additionally, it features a thinner tip that provides enough flexibility to achieve greater versatility when developing various guitar techniques.
Remember that an increase in the thickness of only two sheets of paper will substantially reduce the pick’s flexibility!
Read more about the advantages of using a guitar pick with variable thickness here.
By following ergonomic models, the surface of the pick can be adapted to feel more comfortable and also look great.
Similarly, we can take advantage of concave or convex surfaces, as they help keep the plectrum’s position oriented and avoid losing control in turning movements.
The shape is also closely connected to the tone of the guitar pick. Just like with the design of a surfboard, you need a specific shape to optimize your energy when catching a wave. The same effect is caused when the guitar pick plucks the strings; different shapes will produce different results.
If your hands are doing an arduous job, then they deserve the best tools, right? Many people spend a lot of money on guitars, amplifiers, strings, and other accessories, but they overlook the guitar pick. This is a big mistake.
The material with which the pick is made can influence the tone, attack, flexibility, durability, and many other aspects. Therefore, without paying attention to it, you can hardly find your personal sound.
Are you curious about the materials used for the Rombo guitar picks? Read a full article on the topic here.
The design of everything you own is a way of expressing yourself and defining your personal style.
When it comes to guitar picks, functionality is everything. This is the reason we have spent so much time integrating beautiful geometric patterns that also fulfill the functional requirements for every technique.
In short, guitar picks are personal items that are bound to subjective perceptions. However, some aspects are measurable and can be improved to fulfill requirements that every guitarist needs.
Don’t overestimate this small piece of gear.
Not sure what is the right guitar pick for you? Let us help you here.
Medium guitar picks are the most popular choice amongst guitarists and they offer the best of both worlds, right? Well, it is not that easy.
In our last article, “thin vs thick guitar picks”, we discussed both guitar pick thickness ranges in depth. Medium guitar picks deserve a separate analysis.
Guitar pick thickness is usually measured in millimeters and this is an attribute that can change various aspects of a pick like flexibility, tone, volume, pick noise, durability, control over single notes, and more.
The thickness of a guitar pick is for this reason considered one of the 4 fundamental attributes of a guitar pick, along with guitar pick material, shape, and size.
Medium guitar picks range in thicknesses from 0.55 and 1 mm.
The following is what a survey performed in March 2021 has shown. Thousands of guitarists were asked to define the following pick thicknesses:
With both limits established, we obtain the thickness definition of medium guitar picks.
The maximum thickness of a thin guitar pick was defined as about 0.55 mm by 2.292 guitarists.
The minimum thickness of a thick guitar pick was defined as 1 mm by 1.308 guitarists.
Medium guitar picks are guitar picks with a thickness between 0.55 and 1 mm. These guitar picks are very popular because of their versatility; in some areas, they offer the advantages of both thin and thick guitar picks.
Medium gauge picks have the broadest flexibility range. In this pick thickness interval, the material will play the most important role when it comes to defining the flexibility of a pick.
In other words, thick guitar picks are always stiff and rigid. With thicknesses over 1 mm, even the most flexible pick materials are stiff, and therefore the material has less influence on the flexibility of the pick. This relation creates a broad flexibility range amongst medium guitar picks, which can be very flexible or very stiff, depending on the material used.
The same effect can be applied to tone, durability, and pick noise.
Typically, medium guitar picks are used by lead guitarists who also implement rhythm guitar techniques and look not only for an all-round compromise between single-note melodic phrases and strumming, but also potentially developing a more versatile guitar career that integrates different techniques and mixes both worlds together.
|
Thin guitar picks (under 0.55 mm) |
Medium guitar picks (0.55 - 1 mm) |
Thick guitar picks (over 1 mm) |
Flexibility |
Flexible/very flexible |
Medium flexibility or stiff, depending on the material. |
Rigid/very rigid |
Tone |
Lighter tones, less bass |
Warm tones for softer materials. Brighter tones for harder materials. |
Warm/dark tones and mellow tones |
Volume |
Maximum volume is limited. Lower dynamic range. |
Can provide high volume with the usage of hard materials. |
Provide high volume. Broader dynamic range. |
Guitar pick noise |
Noticeable pick noise |
Reduced pick noise when the pick has a variable thickness. |
Reduced pick noise |
Durability |
Less durable |
Depending on the material. |
More durable |
Control |
Less control for single notes |
Very versatile. Control of single notes is possible if the player is experienced with this type of pick. |
High control of single notes |
Popular techniques |
Rhythm guitar, strumming, tremolo picking, ... |
Very versatile. A combination of both thin and thick guitar picks is possible if the player is experienced with this type of pick. |
Lead guitar, shredding, sweep picking, ... |
Common type of players |
Beginners, acoustic guitar players |
Most popular thickness. Medium thickness is used by beginners, intermediate and advanced guitarists. |
Intermediate and advanced guitarists |
This makes medium gauge guitar picks the most difficult picks to estimate without having tested them, and it is one of the reasons why we created the “guitar pick parameters” included in every product page, like in Rombo Origami.
For most beginner guitar players, medium gauge guitar picks are the best option. You are in a process in which experimenting with sounds and learning new techniques will shape your profile as a guitarist in the future.
You might change your music taste during this process or even change your guitar type. You must stay flexible and versatile to allow your skills to develop in all directions and be a more rounded guitarist.
For this, a medium guitar pick is perfect, since you will be able to try different techniques with a pick that works very well in many different areas. After you have decided the direction of your development as a guitarist, increasing or decreasing the gauge won’t be that difficult.
Therefore, this is statistically the best option to start with if you want to try different guitar learning paths.
However, there are some exceptions: Some beginner guitarists know exactly what kind of player they want to be. They know from the very beginning if their dream is to become a very technical metal player, if they prefer being an expert acoustic guitar rhythm player, or if they will focus on songwriting and not on their guitar skills.
These examples are very rare, but they exist. In this case, you might want to consider starting with a guitar pick that has been designed for the type of skills you want to improve.
If you are a beginner, this might be interesting for you: Guitar pick for beginners
Rombo Origami guitar pick - 0.75 mm
Flexible but still rigid enough for note control. Right amount of flexibility for a snappy fluid attack that's bright and crisp. The concave surface on the hold area ensures ergonomic and comfortable hold.
Rombo Prisma guitar pick - 0.8 mm (available in September 2021)
A classic shape enhanced by modern surface technology. The geometry on the main body has different height levels for the most comfortable hold and grip.
Rombo Crisp guitar pick - 1 mm (available in September 2021)
Medium thickness combined with geometric concave design surfaces. The result? Unexpected flexibility with great bass tones. Its medium-sharp tip provides extra warm tones.
Each pick has a specific purpose, and you choose the pick based on the sound you want to achieve as well as other personal preferences like comfort and grip.
Medium picks are not just the picks in the middle of thick and thin guitar picks. They are a perfect approach for those guitarists looking to develop versatility and flexibility in their learning path.
Due to the high influence the material has on these picks, they are the most difficult picks to estimate before testing them, and every medium guitar pick is unique. Despite this, they are the best choice for most beginner guitarists.
However, if you have a very clear idea of the skills you want to develop in the future, you might be looking for either thin or thick guitar picks, which we discussed here.
Thin guitar picks vs. thick guitar picks. This eternal battle has been a part of every guitarist's conversation for decades. It is time to finally evaluate both alternatives in depth.
The thickness of a guitar pick is generally measured in millimeters, and it is an attribute that influences many physical aspects like tone and flexibility. For most players, this is considered the most important attribute when choosing the right guitar pick.
However, after doing some online research, nobody seemed to really know how thick a guitar pick needs to be to be considered as a thick or heavy guitar pick. Where is the line?
Therefore, the first thing we did was to create a big online survey on our Instagram guitar community.
The survey we created was online for 24 hours on an Instagram story and the participants were asked to answer two simple questions.
This question was the first one, and its aim was to see if guitar players prefer thick or thin guitar picks. Here are the results:
It seems that over two thirds of the guitar players prefer guitar picks considered as thick. Honestly, I thought there would be a 50-50 relation and this surprised me a lot.
This was the second question, and the guitar players could select different thicknesses they considered to be the “least thickness needed for a guitar pick to be considered as thick or heavy”.
The results showed that on average, a pick must be at least about 1.0 mm to be considered as a thick guitar pick.
These results are very interesting, since the information we found during the research claimed that a pick is considered as “thick” or “heavy” if it surpasses 0.8 mm thickness. We did not find any study or survey with more participants than ours.
Of course, we have to consider that we do not have any way to track more specific characteristics of the participants like skill level, music preferences, guitar type, age, and so on.
Additional research on this topic showed that during the past decades, the average thickness of the guitar picks has increased substantially. Thin guitar picks are even considered as vintage by many players due to the tone they produce.
This is no surprise, given that most modern guitar techniques and effects that require thick picks (like shredding) were non-existent during the 1950s and 1960s.
The thickness of a guitar pick is one of the most influential attributes.
The guitar pick thickness influences:
A minimal change in the thickness of a guitar pick of only 0.2 millimeters (equal to two common paper sheets) is enough to change the properties of a guitar pick drastically.
Let's pretend there are no medium guitar picks and create a clear line that divides both thickness ranges, to make the differences between thick picks and thin picks more appreciable.
|
Thick / heavy guitar picks |
Thin guitar picks |
Flexibility |
Rigid/very rigid |
Flexible/very flexible |
Tone |
Warm/dark tones and mellow tones. |
Lighter tones, less bass. |
Volume |
Provide high volume. Broader dynamic range |
Maximum volume is limited. Lower dynamic range |
Guitar pick noise |
Reduced pick noise |
Noticeable pick noise |
Durability |
More durable |
Less durable |
Control |
High control of single notes |
Less control for single notes |
Popular techniques |
Lead guitar, shredding, sweep picking,... |
Rhythm guitar, strumming, tremolo picking |
Common type of players |
Intermediate and advanced guitarists |
Beginners, acoustic guitar players. |
Thick guitar picks will provide mellower/darker tones. The common rounded edges that can be manufactured with thicknesses over 1 mm – combined with their rigidity – increase the bass tones and the volume these guitar picks can provide, while reducing the pick noise the pick produces.
These picks provide more control over single notes and are usually the best option for lead guitarists.
Most advanced guitarists prefer thick picks, because in their guitar journey they develop new guitar techniques that can be performed better using this kind of picks. Thick plectrums provide more control when it comes to single notes and complex guitar pick techniques like pinch harmonics.
One of the biggest advantages of using heavy picks is the durability they provide. Nevertheless, the lifetime of a guitar pick is influenced by many other aspects, as we learnt in the article “Durability of a guitar pick”.
Thin picks are the best option for guitarists looking for brighter tones, especially using acoustic guitars and some strumming techniques on electric guitar.
The flexibility of these picks limits the maximum volume that can be achieved. This can be an advantage because it works like an analog limiter. This is especially helpful in a studio session, where the maximum volume achieved must be controlled.
Most beginner guitar players start using thin picks because their guitar skill set at the beginning includes guitar techniques like strumming.
Note control can be difficult with thin guitar picks. However, some players use this attribute for specific guitar techniques, like in surf music, where a super fast tremolo picking is required.
Rombo Jade is the perfect example of a thick guitar pick. Thanks to its thickness, a very large bevel edge could be implemented to be as sharp as possible, providing the precision needed when using these kinds of picks.
The size is small, a typical attribute of thick guitar picks, and its shape ends with a very pointy guitar pick tip for maximum attack.
Rombo Classic is the thinnest Rombo guitar pick. In the middle, it is only 0.38 mm.
This guitar pick is extremely flexible and has a medium/large size with a standard 5 mm diameter guitar pick tip.
In spite of its thickness, the dynamic range of the pick is great. This is caused by the material used in our picks.
I am sure you already have an idea of your favorite guitar pick thickness. In case you don’t, it is probably because you are at the beginning of your guitar journey.
Is there a wrong guitar pick thickness to play guitar? Any pick you use to get sound out of your guitar can work, if the sound produced is the sound you are looking for. It is entirely a matter of personal preference.
If you are a beginner guitar player, I recommend you start with something like 0.75 mm, as I described here: "Guitar Picks for Beginners"
However, if you are an intermediate player trying to find a way to discover new guitar tones, I do not have better advice than to tell you to try many different thicknesses and start integrating other important aspects of the guitar pick in your decision, like materials, size, shape, etc...
The good news is, you will probably end up having 3 to 5 favorite guitar picks which you can use for different techniques. So, enjoy the journey and be open to experimenting with different tones and textures with your guitar!
For this chapter I included the new guitar picks, which will be officially released during 2021.
As you can see on the thickness scale, there are still some slots missing (for example something like 0.6 mm), we will be filling them in the future, as we design new guitar picks.
However, we might repeat thicknesses if other aspects change a lot, for example the shape, the sharpness of the tip, the size of the pick, or other grip textures.
Another important factor to consider is that some picks do not have constant thickness along its design. But why?
As we did our research back in 2018, we found out that designing guitar picks with variable thickness comes with many advantages.
Let's take Rombo Origami as an example: The guitar pick tip is 0.75, but its hold area is thicker. This simple change makes the pick produce darker and mellower tones without losing much of its flexibility.
In the case of Rombo Diamond, the middle area (where all vertices collide) the thickness goes up to 2.65 mm. We increased this area after experiencing that the relation between the thicknesses along the guitar pick also increases the control over the pick for single notes.
In addition, with more thickness on a given material, you have more possibilities to introduce design elements, like the 3D geometries we use in our picks. These geometries have two positive effects: on one side, they enhance the grip of the pick because of the tilted surfaces, and on the other side, the guitar picks look very cool!
In short, variable thickness will make your picks more versatile and give you extra control.
Thick picks vs. thin picks will remain a hot, trendy topic in the guitar community.
However, if you are already an intermediate player with some knowledge about equally important aspects of a guitar pick like shape or material, spread the word to avoid confusion among the newcomers.
We have already discussed the huge variety of different guitar picks you can find online in our article “Guitar picks online” since this can be overwhelming for some beginners.
The best advice I can give you: love both thin and thick picks and try to understand why they are different. Both need to exist in a world where creativity and different tones and styles are needed!
Now it’s your turn, what is your favorite guitar pick thickness?
Guitar picks can be found in all shapes, colors, and materials. These small items used for specific guitar techniques can offer different tones, dynamic ranges, and ergonomics, and therefore create a totally different playing experience depending on the pick you use.
The aim of this series of articles is to inform you in detail in a way that you wouldn’t find anywhere else. We want you to understand why we do what we do. So relax, hold your tea, and enjoy our first deep analysis on the guitar pick Rombo Diamond.
Exceptional picking control and accuracy. Favorite amongst advanced guitarists. The hole in the middle provides extra control and grip rate. Sharp tip for high attack, and clean bright tones.
With its 28,4 x 25,5 mm, Rombo diamond can be considered a small-medium sized guitar pick.
Small guitar picks have several advantages: They perform exceptionally when practicing speed and are perfect for shred techniques.
With small-sized plectrums, your fingers are closer to the strings and you get more feedback from your guitar playing.
The downside of these picks is that they can be dropped easily. This is the reason we decided to increase the size of Rombo Diamond a little bit and make it small-medium. The first prototype was only 25 mm high.
Furthermore, we decided to increase the width to match the regular size of a thumb.
The shape of a guitar pick is often overlooked. However, in the case of Rombo Diamond, thanks to its form and the pointy guitar pick tip, the attack and the control are substantially increased.
The pointy guitar pick tip, with only 3 mm in diameter, was designed to provide maximum note control.
The angle of the tip is wide enough to let your guitar strings slide longer.
Rombo Diamond has a slight bevel edge, mainly used to increase the guitar playing speed.
With a rounded bevel like this, the attack of the guitar pick gets smoother, a feature that changes the feedback you receive when you use specific techniques.
This is only possible for guitar picks with enough thickness, and it is very popular because of the feeling of easiness it provides while playing guitar.
The guitar pick thickness mainly defines how flexible a guitar pick is. However, other aspects like tone and ergonomics are mostly influenced by the thickness of the pick.
Rombo Diamond has guitar pick variable thickness along its body. This means that this guitar pick has different thicknesses for the hold area and for the tip area.
The thickness of the tip is 1,35 mm, providing enough space for the bevel edge mentioned before. This can be considered as a heavy/thick guitar pick.
The thickness of the hold area varies due to the diamond design. At the highest point, right in the middle where all the vertices create the diamond design, it is 2,65 mm thick.
The variable thickness on Rombo Diamond has been implemented primarily for two reasons:
It increases the feeling of control because the pick is easier to hold
It increases the bass tones, creating a much thicker tone
Both dimensions create a very rigid guitar pick.
The thickness of a guitar pick is also an essential factor in terms of durability. The shape and bevel combined with the polished tip and its thickness make this pick very durable.
The material of a guitar pick is strictly connected to its flexibility and tone.
Rombo Diamond is offered in the Rombo polymer and the EcoBlack polymer, which offer the same characteristics.
The polymer we use is an improved variation of nylon designed to increase the durability and cause some tone changes. It is manufactured in Italy.
Since we use the same material for all our guitar picks, this part of the analysis will be skipped. We have already created an extended article regarding the materials that can be found here.
The Guitar Pick design is obviously inspired by a diamond shaped geometry. Rombo Diamond was meant to be hard, durable and rigid, therefore this design matches its mechanical attributes very well.
The functional surfaces were distributed in a way to enhance the diamond form. The grip area in the middle makes the diamond visible, while the polished areas give the shape and tip more optical clarity.
As we will see in the next chapter, the 3D surfaces were designed as functional surfaces to improve the grip. However, with the first prototypes, we realized that this was a very nice way to explore more design nuances.
For the grip of Rombo Diamond, there are three aspects to consider:
The material
The micronodules texture is the texture we developed to create a comfortable grip. Usually, this texture wouldn’t be enough for a good grip and for this reason, we incremented the grip using the right material and 3D surfaces.
The 3D surfaces with the shape of a diamond have different thicknesses and tilted angles that fold the surface in different directions. This increases the grip substantially and avoids the rotation of the pick while playing.
For the people who like to hold the pick on the back side, we created a tunnel to compensate for the thickness reduction this area has.
We consider Rombo Diamond to be a pick with medium grip.
Currently Rombo Diamond is offered in the following colors.
Rombo Diamond is manufactured using an engineering technology called injection molding, in which melted polymers are forced to fill a mold and get a specific shape.
After that, there is a small mark called “the gate” in the back of the pick, which is where the melted material flows through to enter the mould. After the production, this manufacturing mark is treated by hand to make it smaller and less visible.
The borders of the pick have a parting line which is also removed post-production to increase the quality of the borders of the guitar pick.
Rombo Diamond is manufactured by automatic processes. However, a post treatment by hand is necessary to achieve the quality Rombo pursues.
So far, we have defined Rombo Diamond as a very thick, small-medium guitar pick, with a sharp tip. These are the typical characteristics of a pick that produces very bright tones.
However, due to the variable thickness mentioned before, we incremented the dynamic range of the guitar pick, allowing the player to enjoy some bass dark tones as well.
Usually, guitar picks with a very heavy attack can reduce the sustain of your guitar tone. With these small thickness changes we solved this problem.
The polished guitar pick tip, combined with its shape, enhances the bright tones and allows you to play some of the harmonic techniques on an electric guitar more easily.
The bevel edge can create those beautiful thick and compressed tones that we all like for distortion and overdrive.
Rombo Diamond is a pick that produces bright and clear tones, but with slightly dark shades in the background, which makes the sound richer and more complete.
Because of the integrated bevel edge, the material toughness, the shape, the pointy polished tip, and the thickness, we consider Rombo Diamond to be a guitar pick that creates lower pick noise.
Rombo Diamond was designed for the advanced player who likes speed, volume, attack, and control, but still wants a sophisticated tone and more than just power.
It is mainly intended for electric guitars.
Arpeggios and shred techniques like sweep, alternate, and tremolo picking are good examples of techniques which can be improved using the right guitar picks.
For strumming and palm mute, using Rombo Diamond can give you a much thicker and complete sound creating a bigger atmosphere when playing guitar.
Rombo Diamond is currently offered only in guitar pick sets containing four guitar picks in different color combinations and a packaging card with extra information about the pick attributes.
This pick is also included in the Variety Pack from Rombo, with other guitar pick models.
Size: Small-Medium
Shape: Pointy tip, sharp attack angle
Thickness: Heavy with variable thickness. Hold area: 2,65 mm - Attack area: 1,35 mm
Materials: Rombo Polymer and EcoBlack
Durability: Very high
Design: Diamond Design with two different surface types.
Grip: Medium, micro-nodules combined with 3D Surfaces
Colors available: Graphite Black, Water Blue, Strawberry Red, Honey Yellow, EcoBlack
Manufacturing technique: Injection moulding and hand processing of the borders.
Tone: Bright, clear tones with a bass nuance on the background caused by the geometry.
Pick noise: Low
Techniques: Mostly electric guitar. Lead guitar techniques and high volume distortion.
Pricing: Guitar Pick Set Rombo Diamond
Plektrumgeräusche lassen sich nicht ganz vermeiden. Insbesondere bei der Aufnahme von Akustikgitarren neigen Plektren dazu, viele Klick- und Klackgeräusche und Geräusche zu erzeugen, die dein Spielerlebnis sowie das deiner Zuhörer ruinieren kann.
Beim Gitarre lernen, wirst du einen Punkt erreichen, an dem du dich auf die Übertragung von Emotionen, das wirkungsvolle Spielen und eine bessere dynamische Kontrolle konzentrieren möchtest.
Um Gitarrentechniken zu meistern, musst du jeden Ton, der von der Gitarre erzeugt wird, vollständig kontrollieren: beabsichtigte und unbeabsichtigte.
Ich persönlich denke, dass Plektrumgeräusche ein Teil des Gitarrenspiels sind, und ich genieße sogar einige Vintage-Aufnahmen, bei denen das Plektrumgeräusch fast absichtlich vorhanden zu sein scheint. In den meisten Fällen möchtest du es jedoch beseitigen.
Wir haben alle Tipps und Tricks zusammengefasst, von denen wir glauben, dass sie dir helfen können, die Geräusche beim Spielen mit einem Plektrum zu reduzieren.
Gitarrenpicks erzeugen beim Zupfen/Anschlagen der Saiten Geräusche. Wenn du dein Plektrum lockerer hältst, hilft das sehr, da deine Finger einen Teil der Energie absorbieren, wenn das Plektrum auf die Saiten trifft.
Wir haben einen Artikel mit dem Titel „Wie man ein Gitarrenplektrum hält“ veröffentlicht, der alles enthält, was du wissen musst, um diesen Trick zu meistern.
Beim Aufnehmen kann es hilfreich sein, dein Instrument im Verhältnis zu den anderen etwas lauter zu machen. Dies ist eine in Studios übliche Methode, die den Gitarristen hilft, sich zu entspannen.
Egal, ob du eine Studio-Session, einen Jam mit deinen Freunden oder einige Solo-Relax-Sessions zu Hause planen, ein bewusstes Aufwärmen vor dem Gitarre spielen ist Pflichtprogramm.
Der Winkel des Plektrums im Verhältnis zu den Saiten ist das am meisten diskutierte Element, wenn es um Plektrumgeräusche geht.
Grundsätzlich gilt: Je weniger Plektrum mit den Gitarrensaiten in Kontakt kommt, desto weniger Lärm erzeugt es. Deshalb winkle das Plektrum leicht zu den Saiten an.
Probiere verschiedene Winkel beim Anschlagen und Zupfen aus. Dies erfordert eine bewusste Anpassung deinerseits, aber sobald du es gemeistert hast, kannst du den Anschlag des Picks leichter variieren.
Abhängig vom verwendeten Plektrum, dem Musikstil und den Gitarrentechniken, die du verwendest, und deinem Können, benötigst du einen anderen Anschlagwinkel. Konzentriere dich also 30 Minuten darauf, den besten für dich zu finden, und gewöhne dich daran, diesen zu spielen.
Manchmal spielt man und der Flow setzt ein, man verlässt gedanklich den Raum und betritt „die Zone“, diesen schönen Ort, an dem man besser klingt als sonst.
Wir gehen so sehr in die Musik hinein, dass wir natürlich härter zuschlagen.
Übermäßige Anschlagkraft ist eine der häufigsten Ursachen für Plektrumgeräusche. Darüber hinaus kann es das Sustain abwürgen und dazu führen, dass die von dir gespielten Noten auf viel weniger natürliche Weise ausklingen.
Das Material der Gitarren-Plektren beeinflusst nicht nur den Ton, sondern auch das Geräusch, das das Plektrum erzeugt.
Nylon gilt als eine der am wenigsten lauten Formeln, wenn es um industrielle Materialien geht, die für Gitarrenpicks verwendet werden.
Dies liegt an der Zähigkeit dieser Mischung, die dank ihrer mechanischen Eigenschaften starke Stöße effizient absorbieren kann.
Bei Rombo verwenden wir eine modifizierte Version von Nylon, die für zusätzliche Haltbarkeit sorgt und die Lebensdauer der Plektren verlängert. Dies war notwendig, da Gitarrenpicks aus Nylon sehr schnell verschleißen. Hier erfährst du mehr über die Materialien.
Wenn du dir nicht sicher bist, ob du das richtige Plektrum verwenden, ist ein Variety-Paket eine gute Option, das Gitarrenpicks mit unterschiedlichen Attributen enthält. Dies ist eine gute Möglichkeit, mehrere Picks zu testen und deine Entwicklung zu verfolgen, während du beginnst, deine Fähigkeiten für jedes einzelne Plektrum zu verbessern.
Als Faustregel kann man sagen, dass schwerere Plektren weniger laut sind, was irgendwie widersprüchlich klingt. Aber warum ist das so?
Die Verwendung sehr dünner Plektren in Kombination mit schnellem Spiel, wie Strumming, führt dazu, dass sich die Plektren verbiegen, wenn sie die Gitarrensaiten verlassen, wodurch eine Art Klickgeräusch entsteht. Dies geschieht besonders beim Spielen von Akustikgitarren, da der Korpus der Gitarre als Verstärker für diesen Klang fungiert.
Schwerere Plektren lassen jede Saite ihren eigenen Ton ohne viele Begleitgeräusche erzeugen.
Die variable Dicke, die in allen unseren Gitarrenplektren enthalten ist, verbessert nicht nur die Kontrolle, sondern reduziert auch das Rauschen. Der Körper des Plektrums ist dicker und steifer, während die Spitze dünner und flexibler ist. Mit diesem Merkmal wird die Gesamtflexibilität der Spitze verringert, während ihre ursprüngliche Dicke und ihr ursprüngliches Material beibehalten werden. Das bedeutet mehr Kontrolle und weniger Lärm.
Dicke vs. dünne Plektren. In diesem Artikel besprechen wir alle Aspekte, die einen Unterschied machen.
Plektren mit einer abgeschrägten Kante gleiten besser und verursachen weniger Geräusche. In Kombination mit dem bereits erwähnten Anschlagwinkel können sie dir dabei helfen, das Plektrumgeräusch stark zu reduzieren.
Auch die Form und Größe des Plektrums sind wichtig, aber das ist eher eine Frage der Präferenz.
Wir haben häufig darüber gesprochen, welchen Einfluss eine polierte Spitze auf den Ton und die Haltbarkeit eines Gitarrenpickels hat.
Eine polierte Spitze gleitet auch ganz leicht über den Rand der Gitarrensaite. Auf der anderen Seite erzeugen Gitarrenplektren mit einer raueren Textur an der Spitze eine stärkere Höhenwiedergabe, selbst wenn sie am Rand gespielt werden. Dies passiert auch, wenn die Picks beginnen, sich abzunutzen.
Einige puristische Gitarristen bevorzugen jedoch, wie am Anfang des Artikels erwähnt, das Plektrum sogar, um Geräusche zu erzeugen, und haben es extra in ihre Aufnahmen eingebaut.
Sehr erfahrene Live-Spieler, die nicht viel Studioerfahrung haben, reflektieren manchmal nicht genug über all die kleinen Nuancen ihres Spiels.
Eine gute Übung, um dies zu vermeiden, ist sich selbst aufzunehmen. Es ist erstaunlich, wie viel wir verpassen, wenn wir in die Zone kommen. Du wirst beim Anhören deiner Tracks Plektrengeräusche bemerken und es ist viel einfacher, kritische Bereiche zu identifizieren, als während des Spielens.
Wenn du Akustikgitarre spielst, versuche, das/die Mikrofon(e) an verschiedenen Orten zu platzieren, du wirst feststellen, wie viel Unterschied es in Bezug auf das Plektrumgeräusch machen kann.
Wir können Plektrengeräusche nicht vollständig eliminieren, aber es gibt genug zu tun, um unser Spiel zu verbessern und es erheblich zu reduzieren.
Der beste Weg, Plektrumgeräusche zu reduzieren, besteht darin, sich dessen bewusst zu sein und über dein Spiel nachzudenken, um deine Fähigkeiten zu verbessern und verschiedene Plektren für verschiedene Stile und Gitarrentypen auszuprobieren.
Wenn du eine neue Möglichkeit entdeckst, den Plektrum-Lärm zu reduzieren, lass es uns bitte wissen, damit wir es in den Artikel aufnehmen können!
Judith Heindorf & Carlos Diez Macia GbR
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